Category Archives: Modern Gazetteer
Casting process
A blog post reviewing the casting process from the first attempts of the physical model making Following our first casting session where we create a master mould from the 3D model, we then created replicates of the 3D model using expanding foam. Unfortunately as
Casting process
A blog post reviewing the casting process from the first attempts of the physical model making Following our first casting session where we create a master mould from the 3D model, we then created replicates of the 3D model using expanding foam. Unfortunately as
Cultural Commons, Nora Al-Badri
Nora Al-Badri “Open up archives to the world so the public can reclaim museums and objects as cultural commons” (Al-Badri, n.d.) The Nefertiti Bust is a painted bust of an Egyptian Pharaoh and resides in Berlin’s Neues Museum. The bust
Cultural Commons, Nora Al-Badri
Nora Al-Badri “Open up archives to the world so the public can reclaim museums and objects as cultural commons” (Al-Badri, n.d.) The Nefertiti Bust is a painted bust of an Egyptian Pharaoh and resides in Berlin’s Neues Museum. The bust
Andreas Angelidakis “Record the experience of experiencing the object.”
‘A World of Fragile Parts’ | Venice Architecture Biennale 2016 As part of Modern Gazettee module, we were asked to think through what it means to copy an original object and transfer it into digital form through 3D scanning and
Andreas Angelidakis “Record the experience of experiencing the object.”
‘A World of Fragile Parts’ | Venice Architecture Biennale 2016 As part of Modern Gazettee module, we were asked to think through what it means to copy an original object and transfer it into digital form through 3D scanning and
Open structure exhibitions
Jan Nikolai Nelles “An infrastructure for the reproduction of cultural objects and associated knowledge can only be an open structure, not owned by any institution or company.” Jan Nikolai Nelles is a German artist who works closely with another artist
Open structure exhibitions
Jan Nikolai Nelles “An infrastructure for the reproduction of cultural objects and associated knowledge can only be an open structure, not owned by any institution or company.” Jan Nikolai Nelles is a German artist who works closely with another artist
ADAM LOWE, FACTUM ARTE “What should we record now? Everything, but in the right way! How should we store it? Safely and with metadata tags. How should we access it? Freely and at high-resolution.” ‘A World of Fragile Parts’ | Venice
Digital Skew
What is the value of a record? “The digital 3D model is the new plaster cast; equally important yet much more powerful in its ability to be spread and shared.” Morehshin Allahyari The artist, Morehshin Allahyari, known for her exhibition
Digital Skew
What is the value of a record? “The digital 3D model is the new plaster cast; equally important yet much more powerful in its ability to be spread and shared.” Morehshin Allahyari The artist, Morehshin Allahyari, known for her exhibition
Making Objects
In reflection of the work that’s done to date, regarding the expanded city, and the work completed. I would suggest that the city is a collection of objects, which enrich the environment, and throughout history the collections of objects are
Making Objects
In reflection of the work that’s done to date, regarding the expanded city, and the work completed. I would suggest that the city is a collection of objects, which enrich the environment, and throughout history the collections of objects are
Madin’s Library – Rebirth
Having gone through a process of modeling Birmingham Central Library from plans/sections/elevations in Revit, we now have a 3d printed miniature of Madin’s masterpiece. ACE
Madin’s Library – Rebirth
Having gone through a process of modeling Birmingham Central Library from plans/sections/elevations in Revit, we now have a 3d printed miniature of Madin’s masterpiece. ACE
Expanded City V&A Retrospective
This is a repost of something originally posted on the separate Modern Gazetteer blog (found at http://moderngazetteer.blogspot.co.uk), however given the projects recent realisation of an exhibition shining a spotlight on Birmingham’s lost modernist past it seems timely to repost… As
Expanded City V&A Retrospective
This is a repost of something originally posted on the separate Modern Gazetteer blog (found at http://moderngazetteer.blogspot.co.uk), however given the projects recent realisation of an exhibition shining a spotlight on Birmingham’s lost modernist past it seems timely to repost… As
Downtown is for People
Modern Gazetteer, Co.LAB’s resident explorer is presenting Downtown is for People – an exhibition of their most recent investigation into the disappearing modernism of our city. Private View and opening party with visuals and music by C100, today, Friday 3rd
Downtown is for People
Modern Gazetteer, Co.LAB’s resident explorer is presenting Downtown is for People – an exhibition of their most recent investigation into the disappearing modernism of our city. Private View and opening party with visuals and music by C100, today, Friday 3rd
Modern Gazetteer – Digbeth First Friday installation
Modern Gazetteer have been offered a fantastic opportunity to be part of the Digbeth First Friday event in February 2017. We will be curating and exhibiting a small sample of 60 models alongside an augmented reality installation at K4 Architects
Modern Gazetteer – Digbeth First Friday installation
Modern Gazetteer have been offered a fantastic opportunity to be part of the Digbeth First Friday event in February 2017. We will be curating and exhibiting a small sample of 60 models alongside an augmented reality installation at K4 Architects
Augmented reality – A Virtual installation.
The client for the project had stressed concerns with an installation in Fletchers walk, where we had originally intended to suspend 2,000 models from the soffit. Wanting to still have a public facing exhibition in one of the last remnants
Augmented reality – A Virtual installation.
The client for the project had stressed concerns with an installation in Fletchers walk, where we had originally intended to suspend 2,000 models from the soffit. Wanting to still have a public facing exhibition in one of the last remnants
Development of the Moulding Process
The original moulding process allowed us to determine whether or not the procedures we were using would be sufficient enough to create a meaningful mould. As a’group’ (Matthew, Rachel) we had come to the conclusion, that the mixing process we were using was
Development of the Moulding Process
The original moulding process allowed us to determine whether or not the procedures we were using would be sufficient enough to create a meaningful mould. As a’group’ (Matthew, Rachel) we had come to the conclusion, that the mixing process we were using was
CO.Lab – Prepared Mould
All, Following on from last week, we have prepared a mould which is currently in the procuring process, which will take between 8 -9 hours, the mould is currently in room P215. I would suggest we meet up on Saturday
CO.Lab – Prepared Mould
All, Following on from last week, we have prepared a mould which is currently in the procuring process, which will take between 8 -9 hours, the mould is currently in room P215. I would suggest we meet up on Saturday
\\ 
You must be logged in to post a comment.