Category Archives: Antigona

SCENE 4.II //Case Studies //

Inspiring our final concept for this design were a number of other theatre productions and set designs that have been showcased in recent years ROBERT WILSON Set Designer and Theatre Producer     (Stills of Wilson’s theatre designs, from top

SCENE 4.II //Case Studies //

Inspiring our final concept for this design were a number of other theatre productions and set designs that have been showcased in recent years ROBERT WILSON Set Designer and Theatre Producer     (Stills of Wilson’s theatre designs, from top

SCENE 4.II //Model Development//

To communicate our concept for Scene 4.ii we created a number of models, which helped us to develop the concept further and to be able to think in more detail about how exactly the stage set will be finalised and

SCENE 4.II //Model Development//

To communicate our concept for Scene 4.ii we created a number of models, which helped us to develop the concept further and to be able to think in more detail about how exactly the stage set will be finalised and

Antigone – Group 5 – Introduction

Scene 5. We, group 5, are working on the set design of the last scene of the play Antigone. This is the most tragic scene full of irreversible consequences. King Creon finds out that all the members of his family

Antigone – Group 5 – Introduction

Scene 5. We, group 5, are working on the set design of the last scene of the play Antigone. This is the most tragic scene full of irreversible consequences. King Creon finds out that all the members of his family

SCENE 4.II //Video Projection: Trees//

One of the key concepts in our design is to create a video projection that can be playing on a loop on the back wall of the stage set. The main inspiration or theme of this video is one of

SCENE 4.II //Video Projection: Trees//

One of the key concepts in our design is to create a video projection that can be playing on a loop on the back wall of the stage set. The main inspiration or theme of this video is one of

SCENE 4.II // Conceptual Development //

  Anitonge is a Greek Tragedy and as such is a play filled with drama, tension and ultimately tragedy. Our group have been assigned Scene 4.ii which follows the last minutes of Antigone and her final speech before she faces

SCENE 4.II // Conceptual Development //

  Anitonge is a Greek Tragedy and as such is a play filled with drama, tension and ultimately tragedy. Our group have been assigned Scene 4.ii which follows the last minutes of Antigone and her final speech before she faces

Frame Atmosphere

This atmospheric picture above, shows exactly the kind of atmosphere we want to create within the tunnel. This was founded in BCU Textiles floor, however they have used fabric, where as we want to use the material: acetate. We believe

Frame Atmosphere

This atmospheric picture above, shows exactly the kind of atmosphere we want to create within the tunnel. This was founded in BCU Textiles floor, however they have used fabric, where as we want to use the material: acetate. We believe

Joinery

In the sketches above, relay how the walls of the tunnel are connected. These are just simple sketches and an AutoCad Technical will be produced. Each panel will be 1m long and will be slotted into an existing frame, with

Joinery

In the sketches above, relay how the walls of the tunnel are connected. These are just simple sketches and an AutoCad Technical will be produced. Each panel will be 1m long and will be slotted into an existing frame, with

Video – Tunnel.

Here is an atmospheric video to help visualise the experience within the tunnel. The items placed in the tunnel, has carefully been thought out as long as the materials used. Antigone: Group 1 Kiren Chanderh

Video – Tunnel.

Here is an atmospheric video to help visualise the experience within the tunnel. The items placed in the tunnel, has carefully been thought out as long as the materials used. Antigone: Group 1 Kiren Chanderh

Journey and Update from the CO-LAB.

Length 8m Starting from 2m into 1.5 narrow Spotting bases and plywood. Transport thinking…. Flooring? Ramp? Colours: wood, talk to Tom about options of colours. Objects: Small chair, knife/sword, mirror, crown, noose, shovel. Words cut out with frame. Frames: projector

Journey and Update from the CO-LAB.

Length 8m Starting from 2m into 1.5 narrow Spotting bases and plywood. Transport thinking…. Flooring? Ramp? Colours: wood, talk to Tom about options of colours. Objects: Small chair, knife/sword, mirror, crown, noose, shovel. Words cut out with frame. Frames: projector

What did we learn from the Interim Review?…

After a 9:30 minute presentation, we took a journey through the first scene of Antigone. Followed by the history of the play and what it could like like in contemporary design? The Interim Review was an experience which we gained

What did we learn from the Interim Review?…

After a 9:30 minute presentation, we took a journey through the first scene of Antigone. Followed by the history of the play and what it could like like in contemporary design? The Interim Review was an experience which we gained

Scene 1 Installation – Frames.

In this meeting, group 1 and group 5 liaise together to form one idea for the beginning of the play to the end. We had to create an installation that would work together for both groups. As the first scene

Scene 1 Installation – Frames.

In this meeting, group 1 and group 5 liaise together to form one idea for the beginning of the play to the end. We had to create an installation that would work together for both groups. As the first scene

Meeting Group 1

We had collated a short meeting to arrange some thoughts and ideas into our concept. Each group have to come up with a concept idea and to talk throughly about their findings and justification to their design. In our findings

Meeting Group 1

We had collated a short meeting to arrange some thoughts and ideas into our concept. Each group have to come up with a concept idea and to talk throughly about their findings and justification to their design. In our findings

Visions Of America

“Architecture as a canvas and light as a material.” – Refik Anadol   Visions of America: Amériques Led by conductor laureate Esa – Pekka Salonen, performed by Los Angeles. Philharmonic Duration: 25 Minutes Rehearsal Documentation from 6th November, 2014 Walt

Visions Of America

“Architecture as a canvas and light as a material.” – Refik Anadol   Visions of America: Amériques Led by conductor laureate Esa – Pekka Salonen, performed by Los Angeles. Philharmonic Duration: 25 Minutes Rehearsal Documentation from 6th November, 2014 Walt